Video and Sound Production: Project 1
4/25/2024
ALTAIFI, LEEN MAAN A (0367698)
Bachelor of Design (Hons) in Creative Media, Taylor's University
Video and Sound Production
Table of Content
1. Lectures
- Project 1 Exercise 1: Audio Dubbing
- Project 1 Exercise 2: Sound Shaping
3. Reflections
1. Lectures
Refer to Video and Sound Production: Exercises
2. Instructions & Tasks
Module Information Booklet:
Project 1 Exercise 1: Audio Dubbing
Place audio files on timeline, sync it with video.
Audio track:
2 tracks for dialogue, one character one track.
4 tracks for sound effects,
3 tracks for ambience sound.
Edit voice from female to male, male to female, human to cute animal/adult to kid: Premiere Pro → Audio Effects → Pitch Shifter → Semi tones.
Volume: Dialogue: between -6dB & -12dB, Ambience: below -20dB, Hard sound effects: Depend.)
Timeline and Audio Compilation
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Fig. 2.0: Process of Audio Dubbing Timeline |
Excel Sheet: here
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Fig. 2.1: Full Audio Dubbing Timeline |
I searched for appropriate sound effects using various royalty free sound effects websites. Such as Mixkit, Freesound, and SoundBible. I compiled all the SFX in my google drive.
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Fig. 2.2: Compilation of SFX |
I recorded the dialogue through my earphones' microphone through my phone, and after numerous takes, I managed to get at least 1 take of each dialogue I was okay with. But as I have never voice acted before, it was very challenging and awkward for me to do. I also compiled all the takes in google drive.
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Fig. 2.3: Compilation of Dialogue Audio Takes |
Audio Editing
After importing all the audios (including SFX and dialogue), I start trimming the audios to the length needed before dragging it to the timeline. However, to nail the timing, there is a back and forth of trimming then adding it back to the timeline to be very precise. I first worked on the dialogue, which is the first 3 audio tracks.
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Fig. 2.4: Editing Dialogue |
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Fig. 2.5: Adjusting Dialogue Pitch |
The dialogue audio is then manipulated by lowering or increasing the pitch depending if it is male or female respectively, and is set between -6 to -12 decibels.
After I finished working on the dialogue, I started adding the main sound effects using the same process: trimming the audio clip then dragging it to the timeline but in 4 audio tracks. Since all the sound effects were imported from online, it was hard to find exact sounds that would match the timing perfectly. I found what I could, and then I slightly manipulated it so it could fit better. (such as adjusting the speed.)
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Fig. 2.6: Adding SFX |
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Fig. 2.7: Adjusting Sound Speed |
After editing all the dialogue and sound effects, I replay it and revisit the sound settings to ensure they all sound right and flow seamlessly.
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Fig.2.10: Phone Call Audio Editing Screen Grab |
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Fig.2.10: Alien Audio Editing Screen Grab |
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Fig.2.10: Reverb Audio Editing Screen Grab |
3. Reflections
Links you may want to visit
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